Carl Schenkel (director) was born in Switzerland and relocated to
Frankfurt, Germany, where he began a career as a journalist while studying for
a degree in sociology. During this time, Schenkel wrote advertising treatments
and gained experience shooting commercials before making his first film. In
1981, he wrote and directed his first feature, "Kalt Wie Eis" ("Cold As
Ice"). After the critical success of his 1984 thriller, "Abwärts"
("Out of Order"), Schenkel was approached by HBO to direct several television
properties which eventually garnered him a CableACE award. His television
works include "Kalte Küsse" ("Cold Kisses"), "In the Lake of the
Woods," "Beyond Betrayal," "Silhouette" and the series "Profiler." His other
motion picture credits include "Exquisite Tenderness," "Knight Moves," "Silence
Like Glass" (which he also wrote) and "The Mighty Quinn."
Bayard Johnson (writer) lists, in addition to "Tarzan and the
Lost City," "Jungle Book 2: Mowgli & Baloo" among his feature screenwriting
credits.
J. Anderson Black (writer) has his first produced feature script
in "Tarzan and the Lost City."
Stanley Canter's (producer) long film production career began
when, while completing working on his doctorate degree in history, he was
approached to assist on a student film. Not much later, Canter purchased his
first script for 1970's "The Hornet's Nest" for United Artists, which starred
Rock Hudson and was filmed on location in Italy, where Canter lived for the
next three years. Upon his return to the United States, he worked for
20th Century Fox, where he acquired the basic material that would
become "The Towering Inferno," one of the `70s' seminal "disaster"-genre films.
His other producing credits include "W.W. and the Dixie Dancekings," starring
Burt Reynolds and scripted by Tom Rickman (Academy Award-nominee for
"Coalminer's Daughter") and "Greystoke: The Legend of Tarzan, Lord of the
Apes," starring Christopher Lambert and Andie MacDowell.
Dieter Geissler (producer) founded the German-based Dieter
Geissler Filmproduktion in 1967 and went on to co-produce or produce major
European films such as Luchino Visconti's "Ludwig," Roman Polanski's "What?,"
Robert van Ackeren's "Woman In Flames" and "The Neverending Story" trilogy,
directed by Wolfgang Petersen, George Miller and Peter MacDonald.
Geissler is the founder of CineVox Entertainment, (comprised of the individual
companies CineVox, CineMagic and CineVox International-all founded by
Geissler) which holds a co-distribution agreement with Warner Bros. and a joint
production agreement with Universal Family Entertainment. CineMagic (a special
effects branch of CineVox) recently worked on the visual effects in "The
Adventures of Pinocchio," which Geissler co-produced, and in "Jungle Book 2:
Mowgli & Baloo." In 1996, CineMagic and SATEL (a subsidiary of the Philips
Group) became the majority shareholders in the state-of-the-art special effects
facility High Tech Centre HDO in Oberhausen, Germany.
Michael Lake (producer) has over 25 years' production experience
within the Australian film and television industry. He has held various
production positions on such films as "The Removalist," "The Getting of
Wisdom," "Eliza Fraser," "The Mango Tree" and "The Man from Snowy River."
While serving as production executive at two television production companies,
Lake was in charge of production on such series as "The Sullivans," "Carsons
Law," "All the Rivers Run," "The Flying Doctors" and "The Far Country."
Lake has since held a variety of executive positions with Warner Roadshow Movie
World Studios and Village Roadshow Pictures, where he currently serves as
Executive Vice President of Worldwide Production. He served as co-producer on
"Fortress" and producer on "A Place to Call Home," "The Facts of Life
Downunder," "Irresistible Force," "Trapped in Space," "Space Above &
Beyond," "Flipper" and "Sahara." His recent feature producing credits include
"Hotel De Love" and "Joey," both for Village Roadshow Pictures.
Greg Coote (executive producer) has had an extensive career with
Australian and American motion picture and television production. Currently
the President and COO of Village Roadshow Pictures, his recent motion picture
credits include producing Bruce Beresford's "Paradise Road," and executive
producing the romantic comedy "Diana & Me" and the family adventure "Joey."
Upcoming projects for Village Roadshow Pictures include three planned features
with Punch Productions (a Dustin Hoffman joint venture company): "The House of
Mirth," starring Hoffman and to be directed by John Schlesinger; "The Knees of
a Cellist," written by Matthew Carnahan; and the soon to be released "Over the
Moon," starring Dianne Lane and Viggo Mortensen.
Coote began his career in Australian motion picture production and, as one of
the joint Managing Directors of Roadshow Distributors, was responsible for the
distribution of such hits as "Mad Max" and "Gallipoli." In 1986, he started a
two-year tenure as Executive Vice President of Columbia Pictures in Los
Angeles, re-joining Roadshow in 1988 as President, the position he currently
holds.
Peter Ziegler (executive producer) currently holds the positions
of Director of Fiscal, Legal and Strategic Objectives of Village Roadshow and
Chairman of Village Roadshow Pictures. He received both a Bachelor of Commerce
and a Bachelor of Law degree, as well as a Master of Financial Management
degree from the University of Queensland. He worked as a barrister and
solicitor of the High Court of Australia and was a partner with the firm of
Ernst & Young before joining Roadshow.
Kurt Silberschneider (executive producer) has created a
successful career as an independent motion picture distributor, responsible for
such hit films as "Woman in Flames" and "Abwärts" ("Out of Order").
He began his long association with the film industry in the Warner
International Trainee Program; after completing the program, he headed the
sales department for Warner/Columbia Distribution in Germany and, later, became
general manager of Warner Bros. Distribution in Germany and Austria. Following
ten years with Warner Bros., he began his own production company, Alta Vista,
and had immediate box office success with "The Adventures of Pinocchio." He is
currently a partner with Dieter Geissler in CineMagic Film GmbH, which is a 31%
shareholder in the $65-million dollar digital and special effects facility HDO
in Oberhausen, Germany.
Lawrence Mortorff (executive producer) lists among his motion
picture executive producing credits "The Last Time I Committed Suicide," "The
Adventures of Pinocchio" (co-credit), "The Grave," "The Whole Wide World"
(co-credit), "Last Gasp" (co-credit) and "Rudyard Kipling's The Jungle Book."
He also served as co-executive producer on "Andre" and "Lady in Waiting" and
executive produced "Children of the Corn II: The Final Sacrifice" and "Romero."
His film producing credits include "Deadly Exposure" and "Hellraiser III: Hell
on Earth."
Paul Gilpin (director of photography) includes the Apartheid
dramas "Dangerous Ground" and "Cry, the Beloved Country" among his list of
other cinematography credits. He also worked on the 1990 comedy "Oddball
Hall."
Harry Hitner (editor) worked as an editor on the recent motion
pictures "Zeus and Roxanne" and Wes Craven's "Mind Ripper." His list of
additional editing credits includes "Andre," "Look Who's Talking Now," "Honey,
I Blew Up the Kid," "The Silver Strand" and "White Fang." He also edited
television's "The Christmas Tree" and served as supervising film editor on the
Disney video release "Aladdin and the King of Thieves."
Julian Parry (visual effects supervisor) has worked in visual and
model effects for motion pictures for nearly two decades. He recently served
as visual effects consultant on "A Kid in King Arthur's Court," "Tashunga" and
the Oscar-winning "Restoration" (for best production design). His extensive
work in television and commercials includes serving as art director for the BBC
series "Pie in the Sky III," assistant art director for the acclaimed "Prime
Suspect III" and visual effects consultant on the British "Inspector Morse"
detective series. He was also visual effects designer and model unit director
on the feature "Nightbreed."
Herbert Pinter (production designer) has been production
designing motion pictures and television projects for more than 20 years. His
list of recent design credits include Bruce Beresford's "Paradise Road," "Dad
and Dave: On Our Selection," "A Good Man in Africa," "Sniper" and "Mister
Johnson." He also production designed Canada's "Black Robe" (for which he
received a Genie Award, Canada's Oscar), "Belinda," "The Fringe Dwellers,"
"Archer's Adventure," "The Year of Living Dangerously," "Undercover,"
"Freedom," "Duet for Four" and television's "The Plumber." He also served as
art director on the acclaimed Australian drama "Gallipoli."
Christopher Franke (composer) has completed scores on more than
23 made-for-television movies and series and 12 feature film scores since 1990.
His feature film credits include "Jamaica Beat," "Ms. Bear," "Solo," "Tenchi
Muyo! In Love," "Menno's Mind," "Public Enemy #1," "Requiem" and "Universal
Soldier." His series work includes "Codename: Wolverine," "Pacific Blue,"
"M.A.N.T.I.S.," "Angel Falls," "Walker, Texas Ranger," "Babylon 5" and
"Streethawk." His telefeature credits include "Babylon 5: In the Beginning,"
"The Devil's Child," "Kalte Küsse," "Inheritance," "In the Line of Duty:
Kidnapped," "Journey to the Center of the Earth" and "Stephen King's The
Tommyknockers."
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